#17 – High Noon

Don’t worry, we won’t forsake you – we’ve finally cracked the AFI’s top ten, with Dmitri Tiomkin’s score for the classic 1952 western High Noon. How did this movie inadvertently change the whole landscape of the entertainment industry? How successful was Tiomkin at becoming an eccentric fixture on 1950s television? And, to what depth of dopiness will Jon stoop in writing parody lyrics?

Settling the Score
Settling the Score
#17 - High Noon
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#16 – The Adventures of Robin Hood

What ho! – #11 on the AFI’s list is Erich Wolfgang Korngold’s score for the 1938 Technicolor romp The Adventures of Robin Hood. Why did Korngold at first think he was the wrong man for the job? What does the score sound like both before and after it’s orchestrated? And, would you dare to take a drink every time we say the word “swashbuckler?”

Settling the Score
Settling the Score
#16 - The Adventures of Robin Hood
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